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The Beatles blocked Joseph Ferrante with a gigantic plot |
Current rating: 0 |
by recs news
Email: recsnews (nospam) hotmail.com (unverified!)
Phone: 0208 9695341
Address: 54 Raven Rd. |
23 May 2002
Modified: 24 May 2002 |
|
The biggest conspiracy ever |
INTERNATIONAL APPEAL
====================
Dear Sir\Madam:
We are sending you an e-mail made of five different parts sent through
time.
We are sending you all this so that you might have a clear panoramic view of the situation.
We would appreciate any help and support you can give.
Also, should you want to download the adaptation of Hey Jude by Joseph Ferrante, go to the following link:
http://walkers9.tripod.com/
and download the MP3.
It will be a free download for some days, specially for you.
If you enjoyed the song, please give a couple of coins (or a million if you're rich) to the first needy person you find on the street, as a contribution to Life. The adaptation of Hey Jude by Ferrante was not made for money but for the sake of art....please give the money to the poor. We ask again for your INTERNATIONAL contribution to Life.
Respectful Thanks.
THE NEWS MEDIA
-------------------------------1st. part-----------------------------
S.O.S.
TO THE EDITOR
(Additional copies distributed to whom it may concern)
Dear Editor:
My name is JOSEPH FERRANTE. I am a musician.
I am writing to inform you of a long history of efforts to block my musical career and take my ideas. It has now gone beyond the pale.
Some time ago, while I was living in England, I was sent out to tune the ex-Beatle GEORGE HARRISON's piano several times. After five years in England I eventually went back to where I'd originally come from. There I made my own adaptation of the Beatles' "Hey Jude". I took the original song and re-worked it into a latin "Bachata", mixed with flamenco. I made a demonstration cassette of it and sent it to George Harrison. It came back to me stamped with a rude "by bike" in the place of the usual "Air mail" on the envelope. I phoned him to ask for an explanation but was told by his secretary that he did not want to come to the phone.
Mr. Raul Cairo of the Dutch "Music and Media" magazine can testify to the quality of my arrangement of "Hey Jude", as he wrote an article about it in the same magazine.
I tried sending demonstration cassettes of my version of "Hey Jude" to three record companies in Spain, and, some months later, a group called "Los Roling" came out with a flamenco rendition of Beatles music. Significantly, it was at the same time that Raul Cairo was writing up my "Hey Jude" in "Music and Media".
After a Finnish promotional firm requested 28 CDs of the song for broadcasting on their radio chain throughout Europe the song began to get airplay. I was told by the firm that they were getting phone-in requests for the song at the stations and that it was being given a nice reception by radio listeners. Some ten days later the song disappeared off the air as though an invisible hand had stopped it. The Finnish promotional firm did not care to provide any explanation when I phoned up about it.
Time went by and I made a "salsa" version of the Beatles' song "Sgt. Pepper's Lonely Hearts Club Band". This time I sent demonstration cassettes to record companies outside Europe, including in New York. Some months later, a well-known latin entertainer got a salsa band together with performers from "Fania All Stars" among others, and released an L.P. of salsa-style Beatles music in New York.
Time went by again, and it occurred to me that perhaps I could help get the Beatles back together again as a Beatles' music specialist myself and a professional musician in my own right. I faxed a proposal to that effect to George Harrison, one which he never answered. I did fax him several times again afterwards trying to set out my ideas about the Beatles revival venture, only to discover at one point that he had had his fax number changed. The international operator told me she couldn't give me the new number, as it was unlisted. About six months after the fax incident the first "Beatles Anthology" CD came out, after many, many years without a Beatles release. My idea. He took it and went ahead without me.
Now I am back in England.
I came back with 14 songs that I'd put together under the title "Shangri-La", hoping to get a record deal for it. Both "Hey Jude" and "Sgt. Pepper's Lonely Hearts Club Band" were included in my production. There were also two other well-known songs in my own adapted version. The rest, the other ten songs, were all my own original compositions.
Even though I am a Rock musician,"Shangri-La" is a multi-styled production.
I took demonstration cassettes of "Shangri-La" to the ten major record companies in London. All ten were somehow mysteriously "mislaid". Representatives of the A&R departments concerned refused even to come to the phone to give me an explanation, delegating other people to take the call instead and tell me that they were still having trouble locating the cassette. All ten cassettes??...Isn't that a bit much to be a coincidence??...
One of the other two items I'd re-worked for "Shangri-La" was "If I Had A Hammer". The rhythm and arrangements were all distinctly different in my version from the original song. One day, after having delivered my cassettes to the main record companies, I switched on the television, only to see the launch of a new programme featuring Trini Lopez's original "If I Had A Hammer" as the theme song...That was after my version of the long-forgotten song had been heard by the record companies.
Again, after my cassettes had gone out to the record companies, a big night club that was owned by people who had links with the record industry started running a show they called "Shangri-La". They stole the name from my production. I ended up having to hire solicitors to get them to stop using the name, as I had already had it registered for musical purposes.
During that same period I received dozens of nuisance calls on my mobile phone from people mocking me with taunts like: "Don't you have a record deal ?", or "Go find another country", or "I'm not hearing your songs on the radio"...
Realizing that there must be a conspiracy against me I had promotional CDs pressed of "Hey Jude" and distributed them to 84 radio stations around England. After a couple weeks I had letters back from radio stations saying they couldn't play "Hey Jude" on their programmes, although some of the selfsame directors went on to praise my arrangement of the song. Capital Radio described it as "a very interesting arrangement". The BBC World Service went on to call it "a very original and quite virtuoso arrangement". From Sony Music I read: "..I was really impressed with the quality of the performance and your new arrangement". If the song was good enough to generate such comments, why wouldn't they play it ? ? ?
After the radio set-back I sent a CD of my adapted version of "Hey Jude" to Paul McCartney at his office, asking if he could give me a hand by contacting some of the radio station directors. A week later I followed up by phoning his office, only to be met with one of the secretaries, who in a rude and aggressive manner dismissed me with,: "We've put your CD of "Hey Jude" in a cold cellar...". Why such a violent reaction ? ?...
So I wrote to Paul McCartney. I even made 16 copies of my letters and mailed them separately to be sure that one of them at least got through to him at his home. Yet I never had a reply.
Interestingly enough, just at that time I started to hear massive outpourings of the Beatles' "Hey Jude" on the radio,and Paul McCartney himself suddenly began performing live again at the "Cavern" in Liverpool after years of inactivity.
It was during those same months that I was getting threatening, anonymous phone calls on my mobile, warning me against giving live performances or playing anywhere. The calls were always made from public telephones.
One music agent whom I'd contacted in an effort to find myself a manager, apologized, saying: "I'm sorry, but I cannot use you...". He refused to say why and hung up on me.
That was when I realized what a huge operation I was up against. So huge, in fact, that in the three and a half years I have been in England this second stay I have as yet to give my first live concert or perform anywhere, despite having contacted more than 20 music agents.
Five months after my "Hey Jude" was blocked on British radio stations the latest Beatles' CD came out. This was the second time that my adaptation of "Hey Jude" had caused a Beatles' Anthology to appear..It seems some people regard my "Hey Jude" as a threat...
And as another "coincidence", the e-mail address that Paul McCartney offered for fans to write to him is called heyjude18 (at) hotmail.com...as I said before, after my Hey Jude got blocked on british radio, Paul McCartney rushed in with concerts at the "Cavern" in Liverpool and launched this second Beatles Anthology CD. Nevertheless, when he saw that the concerts only gathered a very small audience and that the CD did not sell as expected, now he pushed for a CD to come out of his work with his group "Wings"...all this with no let-up, one thing after another, like he was trying to gain time for something, wanting to be constantly present in people's minds for some reason....It is with sadness that I realize that possibly some people could be very afraid of my Hey Jude....
Most recently, one of my piano tuning customers, who is involved with the British music industry, said an aggressive letter had been forged in my name and sent out to different branches of the above mentioned music industry and to other parts of the music world. This was further confirmed by a DJ friend of mine in British radio...What vile extremes will some people not resort to in their attempt to alienate others from me???...
Also, as another "coincidence", one of the ten major record companies in London that stole my "Shangri-la" cassettes, has just launched a CD of one of their bands, being the band's CD title exactly the same as my own, with the addition of a couple of words to make the title a comical phrase !!! ..... They've launched it through one of their branches in another part of the world.....I suspect this is a subtle trap by this record firm expecting me to react to their action to implicate me with that part of the world.....I will not fall into that trap.....Now they are trying to block me in other parts of the world as well.....it looks like some people consider my work something very dangerous, judging by the amount of conspiracy they are generating......once again, it is amazing to see the vile manoeuvres of some people......
What I have said so far is just the tip of the iceberg. Depending on how things go, the full iceberg may yet come to light in all its magnitude. I don't want to blame anybody but I feel my story has to be told.
I come looking to all music lovers to help me fight this horrible multi-tentacled monster that has kept me and my work out of the public eye and stolen my ideas.
It is because of this conspiracy against me that I have had to find shelter on the Internet.
Myself and my work can only be found at: www.ferrantemusic.com. I invite you all to my website. At the present is being repaired of the damage done to it by the heartless mafia.
Yours sincerely:
Joseph Ferrante.
-------------------------------2nd. part-----------------------------
IN BRIEF
========
Joseph Ferrante, the music genius that The Beatles and
their record firm blocked during 12 long years, in a
gigantic plot which involved different sectors of the
music industry...
www.ferrantemusic.com
--------------------------------3rd. part----------------------------
ADDENDUM
========
The adaptation of Hey Jude by Joseph Ferrante has been granted a PUBLISHING AGREEMENT by the copyright owners. Due to this fact, the people involved, not being able to stop it legally, use all kind of vile and subreptitious and illegal manoeuvres to do it......
The only reason for this (and we must humbly say it because enough is enough) is that the adaptation of Hey Jude by Ferrante makes the original song look like an absolute nothing....They try to hide the sun with a finger......
It is possible to hide things from all the people part of the time and it is possible to hide things from part of the people all the time, but it's impossible to hide things from all of the people all of the time.. ..and what was done in the night, shows in daylight......
www.ferrantemusic.com
---------------------------------4th. Part---------------------------
...And not only they blocked the adaptation of Hey Jude by Joseph Ferrante.....but they also blocked his own compositions, our dear friend and reader..... Hey Jude is one among nine songs on the "Shangri-La" CD....the other eight are Ferrante's own compositions....they blocked those eight songs as well......
www.ferrantemusic.com
---------------------------------5th. Part---------------------------
BREAKING NEWS
=============
And now, after the people involved and their big international firm had used the pulling of strings and the traffic of influences with the newspapers so that they wouldn't publish this article, they are also trying to pretend in front of people as a big masquerade that the bass player still owns the copyright for Hey Jude, when in fact he sold the rights of the Beatles' songs to three different international entities.
Of these three international entities, Ferrante has been given a PUBLISHING AGREEMENT for his adaptation of Hey Jude by the owners of the copyright of the song. (AVAILABLE ON DEMAND)
Due to the fact that he thinks that people are stupid and that he can twist the facts in front of audiences and that people will never know what things are like in real life (having people such gigantic brainwash with the guys and their pre-manufactured ACT AND MASQUERADE, WHEN IN FACT THEY ARE QUITE DIFFERENT IN REAL LIFE), they are still lying to audiences and making them think that the bass player owns the song and this and the other, when in fact THERE IS NOTHING THEY CAN LEGALLY DO TO STOP THE ADAPTATION BY FERRANTE, other than the pulling of strings in mewspapers and the traffic of influences here and there, all of which is done ILLEGALLY, SUBREPTITIOUSLY, AND VERY HIDDEN AND SUBTERRANEAN.....All this because the copyrights ARE NO LONGER THE BASS PLAYER'S....we repeat.....NO LONGER HIS......
Once again, the ONLY REASON for this is that the adaptation of Hey Jude by Ferrante makes the original song look like an absolute nothing...... ...they know VERY WELL that an elementary song had been upgraded to a MASTERPIECE......they fear the adaptation........it takes their sleep away.............
.......And the stature of the man is determined by the amount of conspiracy he generates......
www.ferrantemusic.com
---------------------------------P.S.-------------------------------
We know that these things will be hard for some people, having the
GIGANTIC BRAINWASH some people have. We used to have it TOO. We were the first ones to be SHOCKED by all this, but we saw the SERPENT HIDDEN BEHIND THE FLOWER, whereas everybody else DIDN'T.....We could discover the REAL PEOPLE behind the MASQUERADE...We WOKE UP....THEY DID WAKE US UP.....12 years of a good musician destroyed by SOME EGOLATRIES........
.......that is VILE......
Respectfully....our dear friend and reader.
THE NEWS MEDIA.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx |
Comments
|
You Are So Full of Shit |
by ML
(No verified email address) |
Current rating: 0
23 May 2002
|
This spam has been making the rounds of the IMC network. Appartently Mr. Ferrante seems to feel he can advance his musical carrer more by spamming IMC than by actually writing and playing music.
Clearly, if his music writing skills are no better than those he used to write this piece of self-serving FICTION, he should just give up on writing anything and get a job flipping burgers.
And quit blaming the Beatles for his mediocrity. |
|
an even bigger conspiracy |
by The Beatles
(No verified email address) |
Current rating: 0
24 May 2002
|
Joseph Ferrante is covering up the fact that he is the kingpin of an even larger conspiracy. Our gamelan versions of Mr. Ferrante's songs have indisputable merit and thus we are owed a record deal to publish them, yet suspiciously, every one of the 20 agents we contacted have blocked their release.
Since no one else has ever before faced this kind of unanimous rejection, we can only conclude that Mr. Ferrante is part of an unimaginably vast conspiracy to prevent us from publishing our music. The incontrovertible proof of the existence of this conspiracy is the inexplicably vehement brand of dislike music industry agents claim to have for our gamelan arrangements, which cannot be explained by the quality of the music, which is of course not at issue.
Also it is well known that people in the music industry, unlike people in other industries and like members of conspiracies, are in communication with one another.
Anyone who wishes to understand for themselves what a disservice is being done by preventing the world from hearing the wonderful gamelan arrangements we made of Mr. Ferrante's music can look them up on the internet. Do it while you can; undoubtedly, the vast conspiracy against us is working overtime to figure out how to block us from distributing our arrangements even in this manner. But the explosive popularity of the arrangements on the internet is proof of their intrinsic worth. Of course that popularity has itself been covered up by the music industry conspiracy. |
|
Re: The Beatles blocked Joseph Ferrante with a gigantic plot |
by Louise Terence
louise_t (nospam) yahoo.com (unverified) |
Current rating: 0
22 Nov 2004
|
The jealous idiots making these comment must surely be footsuckers of
bad musician Paul Mc Cartney, if musician at all...
Surely this idiots writing nonsense are frustrated musicians who developed an inferiority complex listening to such an amazing guitar virtuoso as Joseph Ferrante,
We have heard the adaptation of Hey Jude by music genius Joseph Ferrante and we think that possibly is the best song recorded in the Rock era. Makes the original song look like an absolute nothing and Paul Mc Cartney look like a very bad composer. This adaptation is how the song should have been composed. Overbearing Paul Mc Cartney keeps bribing people to hide the adaptation as much as he can, so that the music nothing he is won't come to light. He must have spent fortunes doing it!!!
Bravo, Joseph Ferrante!!!.....Bravissimo!!!!!.....
We are amazed at your Mega Hey Jude!!!!!!......and we are really impressed with the incredibly amazing guitar solo in the song. Paul Mc Cartney should learn how to play and how to compose instead of paying people so that they would write jealous nonsense like this.
Bravo, Joseph Ferrante!!!....keep teaching arrogant Mc Cartney how to play and compose!!!!!....we also think that ferrante's voice is a million times better than Mc Cartney's. Mc Cartney's voice sounds horrible compared to Ferrante's. |
|
Bravissimo with a gigantic plot on top |
by Ralph McTell
(No verified email address) |
Current rating: 0
23 Dec 2004
|
|
Shut the fuck up you Spastic Mentalist. |
|
Re: The Beatles blocked Joseph Ferrante with a gigantic plot |
by Sgt Pepper
sgtpeppersukuleleclubband (nospam) hotmail.co.uk (unverified) |
Current rating: 0
04 Jan 2005
|
To Whom It May Concern,
Having read of the plight of the clearly persecuted JOSEPH FERRANTE, we have decided that it is now time for us to share our story of LIES and DECEIT which we have feared to tell for so long. You have opened the door Mr Ferrante. Thank you.
We are ‘SGT. PEPPER’S UKULELE CLUB BAND’. We formed in 1976 with the intention of exposing the Beatles’ musical roots, which are firmly embedded in the musical genius of GEORGE FORMBY. Anyone with an ear for music can see, or rather HEAR, that The Beatles stole all of their greatest work from the great man himself. All of their greatest songs can be traced back to Formby’s songs such as ‘When I’m Cleaning Windows’, ‘Leaning On A Lamppost’ and of course, ‘Hindoo Man’ etc. etc. In the late summer of 1976 we entered a recording studio in London with the intention of recording 10 or 11 Beatles ‘classics’ (!) in their original guise. The session was a great success and the producer, who cannot be named for legal reasons, told us that this would definitely be the end of the road for The Beatles’ credibility. He could barely contain his joy and excitement as he stifled a laugh during the final playback. However, on the cusp of greatness, our record company, which can also not be named due to the VILE nature of this conspiracy, withdrew the album and all copies were erased. Having received rave reviews, it was a mystery as to why it was so suddenly abandoned. Could it have been FEAR of being EXPOSED on behalf of The Beatles?
At this point, realising that our dream had been destroyed in this country, we decided to seek promotion elsewhere. We began to spread our music throughout Europe as well as Australia and the USA etc. etc. Again, we had great reviews and the ‘SGT. PEPPER’S UKULELE CLUB BAND’ were the talk of the town. However, despite comments such as “very original”, “interesting” and “I’ve never heard anything like this!” the album was once again blocked just before being UNLEASHED on the public. How could this BE?!? Lennon, McCartney etc. etc. again getting scared of being found out?
At this point, whilst in America, I repeatedly tried to contact John Lennon about the possibility of reforming The Beatles with a ukulele were met with nothing but DISDAIN and, later, a restraining order. This was extremely disappointing as I had always imagined John to be the most amiable and approachable of the group but he was now, to me at least, completely unapproachable. Lennon was shot dead only a couple of years later proving that maybe he wasn’t that amiable after all.
Returning to England unsuccessful, it seems that time had turned on the band. We began to receive threats such as “You’re Rubbish”, “Who do you think you are?” and “How did you get this number?” and our concerts were ruined by Beatles fans who could not face the truth. Things got so bad that one of our founding members ‘DR. UKE’ considered leaving the band. We decided it was time for us to re-approach the record companies only to be met with DERISION and INSULTED etc. etc. We started to branch out and show people the roots of the GREAT FORMBY in other people’s music. We worked on songs by the likes of Elton John, Led Zeppelin and Pink Floyd. After another highly successful recording session we once again felt our time had come. Record companies, obviously astounded by the new material began to again take an interest.
We were FLYING HIGH. Record labels were fighting to get us on their labels and we were even offered the support band slot on the ‘British Ukulele Orchestra’ WORLD TOUR. However, once again, on the eve of WORLD DOMINATION we were again thwarted by record companies being scared into SUBMISSION by the artists about to be EXPOSED to the WORLD. In the next 18 months, compilations or new material appeared from ALL the ARTISTS (!) we were set to REVEAL as FRAUDS. All the material was met to great acclaim which surely would not have been the case had the world heard our album, ‘Happiness Is A Warm Ukulele’.
At this point, we realised that tragically we would never be able to get our music heard and the band was DISBANDED.
Now we are back.
For the last 19 years we have been silent but thanks to you, MR FERRANTE the SUPRAMUSICIAN, the HUMAN BEING, we feel we can tell the world about what happened to us and many like us and soon hope to start a website with the full VILE conspiracy and MP3’s of our material etc. etc. You can currently contact us sgtpeppersukuleleclubband (at) hotmail.co.uk and we hope to reunite and ‘SGT. PEPPER’S UKULELE CLUB BAND’ will again be able to spread its GOSPEL.
BRAVISSIMO JOSEPH FERRANTE for exposing the PLIGHT of musicians like ourselves against the sheer bully tactics of the music industry. Hopefully the public at large will sit up and take note and TAKE ACTION.
Thank you once more,
SGT. PEPPER’S UKULELE CLUB BAND |
|
Re: The Beatles blocked Joseph Ferrante with a gigantic plot |
by Paul Bradley
p7362 (nospam) aol.com (verified) |
Current rating: 0
13 Jan 2005
|
The jealous idiotS making these comment must surely be footsuckers of
bad musician Paul Mc Cartney, if musician at all...
Surely this idiots writing nonsense arefrustrated musicians who developed an inferiority complex listening to such an amazing guitar virtuoso as Joseph Ferrante,
We have heard the adaptation of Hey Jude by music genius Joseph Ferrante and we think that possibly is the best song recorded in the Rock era. Makes the original song look like an absolute nothing and Paul Mc Cartney look like a very bad composer. This adaptation is how the song should have been composed. Overbearing Paul Mc Cartney keeps bribing people to hide the adaptation as much as he can, so that the music nothing he is won't come to light. He must have spent fortunes doing it!!!
Bravo, Joseph Ferrante!!!.....Bravissimo!!!!!.....
We are amazed at your Mega Hey Jude!!!!!!......and we are really impressed with the incredibly amazing guitar solo in the song. Paul Mc Cartney should learn how to play and how to compose instead of paying people so that they would write jealous nonsense like this.
Bravo, Joseph Ferrante!!!....keep teaching arrogant Mc Cartney how to play and compose!!!!!....we also think that Ferrante's voice is a million times better than Mc Cartney's. Mc Cartney's voice sounds horrible compared to Ferrante's.
C. R. |
|
Re: The Beatles blocked Joseph Ferrante with a gigantic plot |
by The HIGH COURT
the_highcourt (nospam) aol.com (unverified) |
Current rating: 0
13 Jan 2005
|
HIGH COURT
(The Five Judges)
(Judge T., Judge B., Judge S., Judge M. and Judge K.)
1st VERDICT
"The Beatles caused the disintegration of mankind”
The Rock revolution happened in the Sixties (6, number of the Beast). It came from Liverpool, which was the port base to the Titanic, destroyed by God because of the arrogant insult of Captain Smith (also from Liverpool): "Not even God can sink my ship" (not only the Captain, but also the rest of the crew and even the orchestra playing at the Titanic were from Liverpool). The Rock revolution came from the nation that allows a church to be changed to a pub or to a dance hall or to a recording studio full of drug addicts, homosexuals and lunatics (as that of George Martin, ally of the Beatles).
It came from the nation whose king Enrique VIII adulterated the Bible so that divorce could be allowed, and in this way be able to give loose rein to the many divorces from his wives and subsequent murdering of the same ones, and to whom God provided a wife with six fingers as abomination (Anne Boleyn)...once again 6, number of the Beast....
It is interesting to observe that this nation is nicknamed "the Devil's Island" (as they themselves call it). As the epithet of the government of Satan on that nation, the center of London, the so well-known Piccadilly Circus, takes it's name from an old brothel (the "Piccadilla House" which means "The House of Sin"), disappeared nowadays.
Antichrist John Lennon, one of the Devil's main puppets to destroy family, social and moral values and to begin the disintegration of mankind, did hit Stuart Sutcliffe (the first bass player of the Beatles) repeatedly in the head with a club in Hamburg. Some months later Sutcliffe died from brain haemorrhage because of John Lennon's bruises. John Lennon entered stardom being a murderer.
The same demons that made Captain Smith say "Not even God can sink my ship" spoke from antichrist John Lennon (from Liverpool, base port to the Titanic) saying: "Christianity is on the go. It will vanish and shrink. We are more popular than Jesus and Pope".... That was the day that GOD'S CURSE fell upon the Beatles and upon the world of Rock.
One week after that statement, ONLY ONE WEEK LATER, Brian Epstein, forger of the Beatle farce, died from an overdose. From then on, the Beatles began to get involved in false religions and beliefs and started to preach them to the world.
John Lennon's divorce followed, as well as his entering the world of black magic, as deeply as to buy the apartment where the "Rosemary's baby" had been filmed, previous property of Roman Polansky, and in that same apartment John Lennon had a room upholstered with black silk where he used to do his black magic operations.
Came the disintegration of the Beatles' minds with LSD which has caused, among others, schizophrenic lyrics such as "I am the Walrus" and incoherent schizophrenic musical expositions such as "Revolution number 9".
At the same time, the devil acted through his other main puppets with "Sympathy for the devil", that was when the pact of the Rolling Stones with Satan took the life of the founder of the group, guitarist Brian Jones (who refused to be a puppet of the devil), murdered by people sent by Mick Jagger, another assassin, who after wanted the world to believe that such a brilliant swimmer as Brian drowned in his own pool….
Antichrist John Lennon followed the Devil's strategy writing lyrics such as "God is a concept by which we measure our pain...I don't believe in Jesus, etc., etc.," (God) and "and no religions too..." (Imagine).
Antichrist John Lennon wanted to compete with Jesus Christ, and so he grew a beard and started to make a bogus role of Christ together with Yoko Ono at the Amsterdam Hilton hotel proclaiming "Peace", being then when he was visited by the Canadian journalist who ridiculized and admonished him wanting to know about what Lennon meant when he wrote in the lyrics of "The ballad of John and Yoko": "the way things are going, they're going to crucify me...",
The CURSE OF GOD upon John Lennon carried on with all type of miseries and distresses which made Lennon give the interview to the "Rolling Stone" magazine (today condensed in the "Lennon remembers" book) where he speaks about how bad thing were going for him blaming "whatever is up there" for it (referring to God).
The CURSE OF GOD carried on until he was shot dead. It is interesting to notice that he was shot seven times, being seven, as well as three, the holy numbers in Holy Cabala tradition....
After George Harrison, said arrogantly in a video filmed at his studio in Henley on Thames: "I want to talk about the divinity of man", he was given throat cancer by GOD because of those words, which made metastasis and carried on to final death..
To Paul McCartney whose company's logo was a person toying with the planets as if he was a god or something, and who was being very much deluded in his ego trip by the fact that he was made "Sir" (when in England even the road sweeper is made Sir, as long as he produces money for the nation), GOD provided cancer to the wife.
The advertising farce of how much he loved Linda (woman whose quality he did not deserve), was exposed when it was known that Paul had an affair with Heather Mills, Linda's intimate friend, with whom McCartney went on a trip to New York and to whom he bought things and presents, while he was still mourning for his "dear Linda".
At the same time McCartney was going out with Heather Mills, he used Linda's death for promotional ends, due to his waning popularity. Paul was going out with Heather, but in front of the audience he played the faithful husband's masquerade pretending to suffer for Linda, for the afore mentioned promotional ends.
Paul admitted that he made Linda suffer a lot, but he didn't say that it was because he felt insecure as a man due to his womanish face and effeminate manners and also because with his age his sexual power was not the same, even though it has never been much. The early days were the days of competition between Paul and his wife and John and his wife and he knew he had to compete with ugly John for the leadership of the band in front of their wives and having Yoko Ono made him aware of his lack of virility and repressed homosexuality, he grew the beard that we see in the "Let it Be" film and started to show pictures of naked women on the same film, doing every effort he could to be seen as a man....
It is easy to note the uneasiness of McCartney when he sings: "I've got a feeling, a feeling I can't hide..." in front of Yoko in the film. (He already had the traumas that his previous girlfriend Jane Asher had caused him when she made him conscious of his little manliness and effeminate manners).
Paul has a big inferiority complex as a man, due to his effeminate face, body and personality as well as repressed homosexuality, and Jane and Linda made him feel the superiority of virile men. This is something that his ego trip of lucky bad musician cannot face.... He is very conscious that money and fame cannot buy virility and manliness.
Besides being a murderer, John Lennon had sexual intercourse with homosexual Brian Epstein to get him interested in going to see the band at the Cavern, trauma from which he never recovered. Because of the trauma that his homosexual relation with Brian Epstein had left him, he made lyrics such as: "You can wear a collar and a tie, one thing you can't hide is when you're crippled inside” and gave declarations to the "Rolling Stone" magazine saying that sometimes he wore Texan boots to feel more secure as a man.
The Beatles are very well known by people close to them because of their arrogance and racism. One of the manifestations of their racism is the rejection towards Japanese Yoko Ono. That rejection got to the point that George Harrison kicked Yoko Ono in the Apple studios during the filming of Let it Be.
When John asked George while they were having lunch about how things were going for Paul after his separation from the Beatles and George replied that he was number one in the Swedish hit parade, John said in a despective manner: "ah!!.. in Sweden..", as if Sweden was an inferior place or something alike.
In the Beatles' song "Get Back" they advise black Joe to "get back to where you once belonged", as if England was not a place for black people.
Sometimes back, Paul told George in the Apple offices that the new generations are a bundle of idiots and useless people, but in any way they would have also been slaves of the Beatles.
The Jewish marriage living to the right of George's house said that he is an arrogant person who does never return a greeting. The newly married couple living on the corner in front of the entrance of George's house (Friar Park) refers to him as an overbearing person to stay away from. The receptionist of "Hand made" the former film making company of George Harrison said: "we don't have any relation with that man anymore and we don't want to know anything about him". It is interesting to note that this company was made bankrupt by the British cinema industry due to the despotism and pedantry of George Harrison, who believed that the cinema industry would have worshiped him.
Their chauvinisms got to the point that even they themselves hated each other. Paul McCartney said that George Harrison is a nothing. George Harrison said that he is tired of listening to people talk about John Lennon.
George Harrison said in a video that "Oasis is a very untalented band and they shouldn't be playing at all", all of it being the truth, but the Beatles is also a band of very poor musicians, if musicians at all, who could only play a couple of elementary guitar chords and who are as untalented as Oasis. The Beatles of the times of the "Cavern" sounded exactly as poorly as Oasis and the little musical quality in the songs of the Beatles is due to George Martin. Without George Martin the Beatles would have been just another untalented band as Oasis....George Martin is the musician among the non-musicians known as Beatles…..
Paul McCartney said recently that he believes in using magic, and he does lots of charity, thinking that in this way he will compensate for the CURSE OF GOD that is upon him and that took his wife's life because of his Satanism and involvement in black magic. He thinks he will deceive people in this way, so that the real McCartney will not be perceived, as does the old Devil we all know, attempting to disguise as good in front of people, deceiving mankind once again, as so many other thousands of times through the centuries....
After the Devil began his devastating job from the ghostly "Devil's Island" through his nine main puppets (Beatles-Rolling Stones), he possessed an endless amount of other schizophrenic bad musician in the afore mentioned Island and weakening their conscience with drugs, he made them proclaimers of homosexuality, aversion to religion, destruction of family values, dissipation, mental illness, antisocial tendencies, etc., etc.,
The fact that bad apprentice musicians such as the Beatles and the Rolling Stones achieved such a giant fame that not even the real quality musicians could achieve, was because the forces of Satan were behind everything, supporting the process.
This mentally ill humanity, destroyed families, twisted moral values, manifest or repressed homosexuality in human beings, anti natural feminism rebellion, drug addiction, corrupt social outlines, mad youths without direction, non respect to hierarchies, convulsed nations, misanthropy, misogyny, paedophilia, irrational and feeble lasciviousness and all other type of existent aberrations, are due to the vast manoeuvre that Satan executed through his main marionettes the Beatles and the Rolling Stones, from the Devil's Island.
If you wonder why there is misery and curse in your house, it is because you own some L.P, CD or another article related to the CURSED BY GOD Beatles and Rolling Stones. We recommend you to take that curse out of your house throwing away everything related to the Devil's main nine puppets....
You have been warned...
The HIGH COURT.
(The Five Judges)
In the interest of mankind, it is your duty to send our verdict to everyone you know. Save souls.
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HIGH COURT
(The Five Judges)
(Judge T., Judge B., Judge S., Judge M. and Judge K.)
Appendix to 1st VERDICT
“A music nothing called the Beatles”
There is much more that can be considered and that can be revealed about the worst musicians on Earth, if musicians at all, namely: The Beatles.
Such bad musicians that George Martin had to pay a session drummer to record “Love me do”, because Ringo was unable to play the elementary drumming of the song. Such an elementary drumming that even a beginner could play, but not Ringo….
Such bad musicians that they had to ask another two-finger bad guitar player called Eric Clapton to do solos on their songs because George Harrison could not produce reasonable guitar string vibrato…
Such bad musicians, if musicians at all, that at the studio they had to record their elementary songs over and over again about a thousand times because every take was full of blunders. In fact, on the Beatles’ “white album” we hear John Lennon screaming “Í got blisters on my fingers!!”, due to the many million times he had to repeat the thing at the studio….
Such bad musicians that they used the same chord sequence in about 70% of their songs, (I-VI-V-minor relative and their permutations) meaning that they only composed one song and repeated it in different rhythms, Keys and permutations throughout 70% of their repertoire….
Such bad musicians that at the Cavern, about a couple of years back, McCartney had to start the elementary “I saw her standing there” four times because every time he got in he did it out of time. Ironically, the session musicians he played with that night started the song ok, but McCartney could not….
The Beatles were such mediocre composers that they stole other people’s songs and made it their own, sometimes only changing title and lyrics. Other times they would play other people’s songs backwards and steal the melodies and harmonies thus being produced. They’ve been listening to other people’s songs played backwards since 1967. Since then, 40% of their “compositions” have been stolen from backwards-played songs. This trick was also used by “Oasis”. They very well knew about this fraud of the Beatles….
George Harrison was taken to court by the “Chiffons” because of stealing one of their songs and calling it “My sweet lord”.
The Beatles stole Trini Lopez’s “Bamba” and called it “Twist and shouts”, pretending it was their own.
The Beatles stole one of the “Salvation Army” songs’ and called it “Strawberry fields forever”.
The Beatles stole the end of the second part in “A day in the life” from “Men made of match sticks”.
John Lennon stole a part of “Jealous guy” (..I began to lose control…) from “She’s a rainbow”.
John Lennon stole the guitar pattern of “Dear Prudence” from the guitar pattern of “Something in the air”.
Paul Mc Cartney stole the bass line of “Susie Q” and used it in “Taxman” and did it again in “Rain”. Stole the bass pattern of “Let’s spend the night together” and used it in “Get Back” and in “I’ve got a feeling”. Stole the bass line of “My girl” and used it in “Two of us”, and so on, and on, and on, and on…..
They even stole songs from their own songs. John Lennon stole the chord pattern of “You’ve got to hide your love away” from “I’m a loser”. Stole the guitar pattern of “Dig a Pony” from the pattern in “Two of us”. Stole “Merry go ‘round” from “Flying”. Stole the beginning of “Rocky racoon” from the beginning of “I’m a loser”.
George Harrison stole the chords in “Isn’t it a pity” from the beginning of “Eight days a week”. Stole the first bit of “Fixing a hole” from “Michelle”. And so on, and on, and on, and on, and many more ons…
The Beatles were very poor singers, if singers at all. They had no voice for singing. Their voice was very thin and nasal, with no depth, no body and with no vibrato. All they could do was shout. In fact, their lack of voice forced them to shout. The Beatles did not sing, they shouted. They should have left singing to Tom Jones, Humperdink, Joan Baez, and so on…The poorest voices in the Beatles were Harrison’s and Lennon’s. Harrison did not have voice at all, not for even shouting. Lennon’s voice was so nasal, that he always did the backing lower voice and when he did not then he shouted. He had a crow’s tone. The Beatles had to always use special microphones to add depth to their skinny and nasal voice, and after that, they spent hours at the recording studio embellishing and concealing their nasality with equalizers and effects, that is HOURS…. the Beatles were not singers…the Beatles were SHOUTERS…
Being homosexual Brian Epstein the forger of the Beatles project, Epstein instructed the Beatles to let their hair grow, so as to appeal to repressed homosexuality in people. Epstein noticed what the effeminate face of Elvis Presley did on people and the fame he gained because of it, so he played the same card. The Beatles boom was not due to their music, but to their appeal to repressed homosexuality (as well as to having been the first internationally promoted electric guitar band). The Beatles opened the homosexual Aquarius era which is ruled by Uranus, the planet of homosexuality…Musically they were so bad that the A&R of the Decca record firm laughed in the face of Brian Epstein when he listened to the recordings of the Beatles, and he told Epstein that they sounded like tin and that he was not interested. George Martin told Epstein, when he listened to the recordings of the Beatles: "You better go back with your boys to Liverpool", because of how bad the musical quality of the group was.... it was with the idea of the long hair (that would appeal to repressed homosexuality in people) that Brian Epstein was able to convince George Martin.....
They were possibly the ugliest faces ever seen on stage. George Harrison’s face looked like Frankenstein, John Lennon’s face looked like a witch. (They really needed long hair to hide their ugly faces) Paul Mc Cartney had such an effeminate face (as well as a pig’s face) that he always played the Miss Beatle role, with very fragile and womanish manners (Close friend of homosexual Mick Jagger). This is the reason why ugly John Lennon teamed with him to form the band. He knew he needed an effeminate face as that of Presley in the band and he knew that because of his ugliness he couldn’t have been the one, so he called Mc Cartney…
The Beatles degraded the standard of music so much that they made stardom accessible to every music beginner. Thanks to the Beatles we see non-musicians and bad musicians on stage. Thanks to the Beatles we have the audience on stage. Thanks to the Beatles anybody is a star, WHOEVER. Thanks to the Beatles we have sound pollution, known by the drugged minds as “rock music”. Thanks to the Beatles people do not appreciate the work of quality musicians anymore. Of course the Beatles promoted drugs, so that because of drugs their elementary noise would be perceived as “music” through the handicapped state of appreciation of the idiotic limbo of slowed down mental processes. Thanks to the Beatles we see idiotic music beginners on the “greatness delirium” of a paranoid mental frame induced by drugs…Hebephrenic, Paranoid and Catatonic schizophrenics have become “stars”. The stage has become a mental asylum, thanks to the Beatles…
Thanks to the Beatles and the electric guitar with distortion where any note you play would just fit because differences are not that noticeable, we have the audience on stage. You just press any string on any fret, wherever…it will do…. No one will notice a thing. Any noise will do…. In tune or out of tune, in the scale or out of it, who cares…the distorted electric guitar will conceal anything...You don’t need the slightest knowledge of music, just learn a couple of easy chords and use a couple of fingers in changing strings and that’s it. After that you buy yourself an electric guitar with a distortion pedal, and you are a star…. Music? …. What’s that…Music…WHO CARES?
Since the electric guitar was invented anybody is a guitarist…WHOEVER…With such sensitive strings that even the wind can play just by blowing on it, also due to amplification, anybody can prostitute music…whoever…. you just press the strings with the fingers of one hand and it sounds….you can use the other hand to make a phone call at the same time….Even the cat can produce sounds on the electric guitar by walking on the strings…EVEN YOUR CAT COULD BE A STAR!!!!…
You don’t need to practice to play an electric guitar…it sounds on it’s own….
Thanks to the electric guitar, bad or non-guitarists that play with only two or three fingers such as Eric Clapton, Jimmy Page, Peter Townsend, Keith Richards, John Lennon, George Harrison, Sting, Noel Gallagher, Steve Winwood, David Gilmour, BB King, Chuck Berry, and so on, and on, and on, have polluted music, but when you give them an acoustic guitar they can hardly do much…strum it at the most…
As a matter of fact, with the exception of “Yes” (a “bravissimo” exception) and “Emerson, Lake and Palmer” (another “bravissimo” exception), you can throw all the remaining famous “rock bands” into a dustbin…. THE LOT…sixty or seventy years of noise making bad musicians or non-musicians into a dustbin…. together with electric guitars, drugs, “greatness delirium” and all….
The same applies to synthesizers, samplers and all type of electronic keyboards with sequencers and any kind of electronic trick that allow bad or non-keyboard players to pollute the stage…. Just by pressing a key on these gadgets you hear fat symphonic sounds that resemble the body of a full orchestra, psychedelic ensembles for the drugged minds and so on, that sound as if the performer was using all the fingers of both hands to play it, but when you look at the fingers of the players, they are only pressing one or two keys, that is, they are only using one or two fingers on the keyboard, and sometimes the left hand is not even being used, and when it is used, only another one or two fingers come into play…..Once again, these gadgets place the audience on stage and allow UNTALENTED idiots to become “stars”….
As another aspect of the music degeneration and quality standard lowering brought about by the Beatles, we see untalented female “singers” with no voice making it big by showing tits and ass on the stage, or by using pornographic gestures, or by insinuating sex in one way or another. If they want to show their tits and asses they should be on pornographic magazines or videos and leave the stage to talented female singers such as the Queens Janis Joplin, Joan Baez, Aretha Franklin, Ella Fitzgerald, Diane Ross, and so on…. Just recently, one of these idiotic untalented female “singers” was seen on an American TV show performing side by side with Aretha Franklin, attempting to copy what the great Aretha was doing…We still wonder how Aretha permitted it…The only way these untalented female “singers” can get on top of the stage is by going to bed with the managers or producers…
And now, a list of untalented female “singers”: Madonna, Jennifer Lopez, Shakira, Britney Spears, Ricky Martin, etc., etc.…once again, the audience on stage….
And finally let’s talk about the “Harmonizer”, the gadget that allows non-singers and crap singers to “sing”. Unfortunately for the Beatles, the thing was not invented at the time they were polluting the stage, otherwise they would have been taken for singers. You sing out of tune and the Harmonizer corrects your voice…. Every note you sing that is out of pitch is taken to perfect pitch by the artefact…. You have the tone of a parrot…don’t worry…with the Harmonizer you will sound like Caruso. It changes your voice to sound like the voice of any known voice virtuoso, and you can even choose which singer you want to sound like!!!…Is that note too high for you…you’ll reach it with the Harmonizer…. it will create from one of your lower notes!!!…. The gadget is incorporated in some of the “karaoke” devices used by the audience on stage…. you just BARK into the microphone and you’ll sound as sweet as the nightingale…
All of this thanks to the Beatles and their counterpart the Rolling Stones (with the exception of Brian Jones, the real father of the Sixties), who opened the door for the audience to get on top of the stage…
You have been informed….
The HIGH COURT.
(The Five Judges)
**********************************************************************************
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|
Reminder for nasty paparazzis |
by The Team
the_team (nospam) yahoo.com (unverified) |
Current rating: 0
13 Jan 2005
|
And now, it is time to have a look at the greatest musician ever existed, whose supernatural musical powers made the established musicians and the music industry forge the biggest international plot ever to stop him. Unfortunately, now everything that they wanted to hide is being known...and the stature of the man is determined by the amount of conspiracy he generates.
We are talking of a music encyclopedia that knows and plays almost every existing song. We are talking of a music monster whose supernatural perception of sound can play a song just by listening to it for the first time. A supernatural mediumistic talent who can create the most amazing improvisations just by falling into trance. It is due to this supernatural perception of sound that he became a piano tuner to London Symphony Orchestra and to the Royal Albert Hall, sometimes back. Concerning his craftsmanship as a piano tuner and technician, Mr. Nigel Hill, manager of the piano department of Chappell of London says of him in a reference letter: "He has been a great contribution to Chappell of Bond Street in the pianoforte field"...
His name is JOSEPH FERRANTE, the Supramusician...and we are proud of introducing him to you...once again...
Born in Florence, the birthplace of art, he grew up in another two different countries, being this the reason why he cannot be pigeonholed into a single nationality, because he was influenced by three different nations. Joseph Ferrante is a universal man....let us call him "the human being"...
You already know about the plot of the Beatles and the British music industry to keep Ferrante's music from reaching the public and the details of the story, so we are not going to go through it again. All of it happened out of shear jealousy because the best musician in almost every style is not British but from Florence, the birthplace of art. In addition, the British music industry also plotted with the music industry of the place where Joseph Ferrante comes from to block the music genius. They know that Ferrante is the end to many myths...
As can be seen on Joseph Ferrante's website, Rick Wakeman ("Yes" keyboard) says in a letter to him: "You are obviously a very good guitar and keyboard player". Concerning Ferrante's masterpiece adaptation of Hey Jude, Richard Dunn of the BBC says: "I found it a very original and quite virtuoso arrangement", Sam Winwood of the British Sony Music says: "I was really impressed with the quality of the performance and your new arrangement" and Andy Turner of London's Capital Radio says: "I found it a very interesting arrangement". Bill Bruford ('Yes" drummer) said: "Thanks for your highly original version of Hey Jude".
However, being the greatest musician ever existed is just the beginning of Joseph Ferrante...the very beginning...
Joseph Ferrante is a graduated architect, a graduated doctor, a graduated psychologist, a nearly graduated biologist, an astronomer, a web designer, a philosopher, a writer, a painter, a master in all religions (discoverer of mysteries yet unknown to mankind), a master in all occult sciences, a magician, an astrologer, a yoga teacher, a piano tuner and technician, a music teacher, a martial artist, a weightlifting trainer, a graduated actor, an acupuncturist, a chess teacher, a homeopater, a professional level photographer, a four languages speaking man...
He is a MULTI GENIUS, with a 185 I.Q..He spends 27 hours a day with a book in his hands, EVERY DAY...
Joseph Ferrante is the greatest of all geniuses born in Florence, the birthplace of art. Leonardo Da Vinci, Michelangelo Bounarotti, Dante Alighieri, Petrarca, Guido Monaco, etc., etc., are just naïve compared to him....you can believe it....
He is also a deeply humanitarian man; He heals people for free, either with his medical skills or with his spiritual powers.
A big part of his income is given away to the poor. He saved the lives of three of us, (we will not go into the details of it) being this the reason why in gratitude we do all this for him in return....
All we know is that judging by the amazing musical improvisations that come out of Ferrante's hands when he falls into trace, we are sure that supernatural powers play through him...
To make it brief, not only is Joseph Ferrante the greatest musician of all times, but possibly he is the greatest genius ever existed...possibly....who knows...there could be other geniuses like him being stopped by human jealousy and envy. You know what the horrible side of human nature is like...you know about the envy that crucified Jesus Christ...
Did you know that Joseph Ferrante caused all this Latin thing that is going on with his Hey Jude? After his adaptation of Hey Jude was sent to Spain, a group of very bad musicians called "los rolin" came out in Spain attempting to do the Beatles' music in Latin flamenco style, the same style as Ferrante's Hey Jude, but all they did was music crap, due to the bad quality of the musicians. They stole Joseph Ferrante's intellectual property but did it very poorly, compared to the transcendental masterpiece made by the music genius.
After this, when the "Sgt. Pepper's lonely hearts club band" salsa adaptation of Joseph Ferrante was sent to the record firms in New York, a Latin intellectual property thief entertainer called Ralph Mercado reunited musicians from different orchestras and attempted to do a very poor salsa interpretation of the Beatles' music. Among the people that participated were Latin intellectual property thieves from "Fania All Stars" like Celia Cruz and Tito Puentes. Another Latin called Oscar de Leon participated in the intellectual property theft. Unfortunately all they did was music crap due to the fact of being very poor musicians, but good thieves...
Latin entertainer Ralph Mercado did such a shameless theft that he even made a parody of the sleeve of the Beatles' "Sgt. Pepper's" and used it as sleeve of his theft production, having been "Sgt. Pepper's lonely hearts club band" the Ferrante's salsa adaptation sent to New York...
After Joseph Ferrante opened the door for this Latin style thing with his two adaptations, EMI RECORDS INT'L, the firm that designed the blocking of Joseph Ferrante (the Beatles' firm) and that also got the Latin section of SONY MUSIC involved (just the Latin section), (it is just amazing to see the amount of MULTI MILLIONS that these two firms have invested in blocking the man from Florence) carried on with the intellectual property theft producing Latin music crap such as Ricky Martin, Shakira, Jennifer Lopez, Mariah Carey, etc., etc. These two firms got other firms involved in the blocking of Joseph Ferrante later on.
All this Latin thing happening was caused and triggered by JOSEPH FERRANTE's two Latin adaptations. And do NOT consider the man from Florence as Latin. He just happens to be the best musician on Earth IN ALMOST EVERY EXISTING STYLE. The man from Florence is a MUSIC ENCYCLOPEDIA, as we told you earlier on...
We hope you realize now that the words JOSEPH FERRANTE are major words...we hope you do by now...
THE TEAM |
|
Reminder |
by The Team
the_team (nospam) yahoo.com (unverified) |
Current rating: 0
13 Jan 2005
|
And now, it is time to have a look at the greatest musician ever existed, whose supernatural musical powers made the established musicians and the music industry forge the biggest international plot ever to stop him. Unfortunately, now everything that they wanted to hide is being known...and the stature of the man is determined by the amount of conspiracy he generates.
We are talking of a music encyclopedia that knows and plays almost every existing song. We are talking of a music monster whose supernatural perception of sound can play a song just by listening to it for the first time. A supernatural mediumistic talent who can create the most amazing improvisations just by falling into trance. It is due to this supernatural perception of sound that he became a piano tuner to London Symphony Orchestra and to the Royal Albert Hall, sometimes back. Concerning his craftsmanship as a piano tuner and technician, Mr. Nigel Hill, manager of the piano department of Chappell of London says of him in a reference letter: "He has been a great contribution to Chappell of Bond Street in the pianoforte field"...
His name is JOSEPH FERRANTE, the Supramusician...and we are proud of introducing him to you...once again...
Born in Florence, the birthplace of art, he grew up in another two different countries, being this the reason why he cannot be pigeonholed into a single nationality, because he was influenced by three different nations. Joseph Ferrante is a universal man....let us call him "the human being"...
You already know about the plot of the Beatles and the British music industry to keep Ferrante's music from reaching the public and the details of the story, so we are not going to go through it again. All of it happened out of shear jealousy because the best musician in almost every style is not British but from Florence, the birthplace of art. In addition, the British music industry also plotted with the music industry of the place where Joseph Ferrante comes from to block the music genius. They know that Ferrante is the end to many myths...
As can be seen on Joseph Ferrante's website, Rick Wakeman ("Yes" keyboard) says in a letter to him: "You are obviously a very good guitar and keyboard player". Concerning Ferrante's masterpiece adaptation of Hey Jude, Richard Dunn of the BBC says: "I found it a very original and quite virtuoso arrangement", Sam Winwood of the British Sony Music says: "I was really impressed with the quality of the performance and your new arrangement" and Andy Turner of London's Capital Radio says: "I found it a very interesting arrangement". Bill Bruford ('Yes" drummer) said: "Thanks for your highly original version of Hey Jude".
However, being the greatest musician ever existed is just the beginning of Joseph Ferrante...the very beginning...
Joseph Ferrante is a graduated architect, a graduated doctor, a graduated psychologist, a nearly graduated biologist, an astronomer, a web designer, a philosopher, a writer, a painter, a master in all religions (discoverer of mysteries yet unknown to mankind), a master in all occult sciences, a magician, an astrologer, a yoga teacher, a piano tuner and technician, a music teacher, a martial artist, a weightlifting trainer, a graduated actor, an acupuncturist, a chess teacher, a homeopater, a professional level photographer, a four languages speaking man...
He is a MULTI GENIUS, with a 185 I.Q..He spends 27 hours a day with a book in his hands, EVERY DAY...
Joseph Ferrante is the greatest of all geniuses born in Florence, the birthplace of art. Leonardo Da Vinci, Michelangelo Bounarotti, Dante Alighieri, Petrarca, Guido Monaco, etc., etc., are just naïve compared to him....you can believe it....
He is also a deeply humanitarian man; He heals people for free, either with his medical skills or with his spiritual powers.
A big part of his income is given away to the poor. He saved the lives of three of us, (we will not go into the details of it) being this the reason why in gratitude we do all this for him in return....
All we know is that judging by the amazing musical improvisations that come out of Ferrante's hands when he falls into trace, we are sure that supernatural powers play through him...
To make it brief, not only is Joseph Ferrante the greatest musician of all times, but possibly he is the greatest genius ever existed...possibly....who knows...there could be other geniuses like him being stopped by human jealousy and envy. You know what the horrible side of human nature is like...you know about the envy that crucified Jesus Christ...
Did you know that Joseph Ferrante caused all this Latin thing that is going on with his Hey Jude? After his adaptation of Hey Jude was sent to Spain, a group of very bad musicians called "los rolin" came out in Spain attempting to do the Beatles' music in Latin flamenco style, the same style as Ferrante's Hey Jude, but all they did was music crap, due to the bad quality of the musicians. They stole Joseph Ferrante's intellectual property but did it very poorly, compared to the transcendental masterpiece made by the music genius.
After this, when the "Sgt. Pepper's lonely hearts club band" salsa adaptation of Joseph Ferrante was sent to the record firms in New York, a Latin intellectual property thief entertainer called Ralph Mercado reunited musicians from different orchestras and attempted to do a very poor salsa interpretation of the Beatles' music. Among the people that participated were Latin intellectual property thieves from "Fania All Stars" like Celia Cruz and Tito Puentes. Another Latin called Oscar de Leon participated in the intellectual property theft. Unfortunately all they did was music crap due to the fact of being very poor musicians, but good thieves...
Latin entertainer Ralph Mercado did such a shameless theft that he even made a parody of the sleeve of the Beatles' "Sgt. Pepper's" and used it as sleeve of his theft production, having been "Sgt. Pepper's lonely hearts club band" the Ferrante's salsa adaptation sent to New York...
After Joseph Ferrante opened the door for this Latin style thing with his two adaptations, EMI RECORDS INT'L, the firm that designed the blocking of Joseph Ferrante (the Beatles' firm) and that also got the Latin section of SONY MUSIC involved (just the Latin section), (it is just amazing to see the amount of MULTI MILLIONS that these two firms have invested in blocking the man from Florence) carried on with the intellectual property theft producing Latin music crap such as Ricky Martin, Shakira, Jennifer Lopez, Mariah Carey, etc., etc. These two firms got other firms involved in the blocking of Joseph Ferrante later on.
All this Latin thing happening was caused and triggered by JOSEPH FERRANTE's two Latin adaptations. And do NOT consider the man from Florence as Latin. He just happens to be the best musician on Earth IN ALMOST EVERY EXISTING STYLE. The man from Florence is a MUSIC ENCYCLOPEDIA, as we told you earlier on...
We hope you realize now that the words JOSEPH FERRANTE are major words...we hope you do by now...
THE TEAM |
|
Reminder |
by The Team
the_team (nospam) yahoo.com (unverified) |
Current rating: 0
13 Jan 2005
|
And now, it is time to have a look at the greatest musician ever existed, whose supernatural musical powers made the established musicians and the music industry forge the biggest international plot ever to stop him. Unfortunately, now everything that they wanted to hide is being known...and the stature of the man is determined by the amount of conspiracy he generates.
We are talking of a music encyclopedia that knows and plays almost every existing song. We are talking of a music monster whose supernatural perception of sound can play a song just by listening to it for the first time. A supernatural mediumistic talent who can create the most amazing improvisations just by falling into trance. It is due to this supernatural perception of sound that he became a piano tuner to London Symphony Orchestra and to the Royal Albert Hall, sometimes back. Concerning his craftsmanship as a piano tuner and technician, Mr. Nigel Hill, manager of the piano department of Chappell of London says of him in a reference letter: "He has been a great contribution to Chappell of Bond Street in the pianoforte field"...
His name is JOSEPH FERRANTE, the Supramusician...and we are proud of introducing him to you...once again...
Born in Florence, the birthplace of art, he grew up in another two different countries, being this the reason why he cannot be pigeonholed into a single nationality, because he was influenced by three different nations. Joseph Ferrante is a universal man....let us call him "the human being"...
You already know about the plot of the Beatles and the British music industry to keep Ferrante's music from reaching the public and the details of the story, so we are not going to go through it again. All of it happened out of shear jealousy because the best musician in almost every style is not British but from Florence, the birthplace of art. In addition, the British music industry also plotted with the music industry of the place where Joseph Ferrante comes from to block the music genius. They know that Ferrante is the end to many myths...
As can be seen on Joseph Ferrante's website, Rick Wakeman ("Yes" keyboard) says in a letter to him: "You are obviously a very good guitar and keyboard player". Concerning Ferrante's masterpiece adaptation of Hey Jude, Richard Dunn of the BBC says: "I found it a very original and quite virtuoso arrangement", Sam Winwood of the British Sony Music says: "I was really impressed with the quality of the performance and your new arrangement" and Andy Turner of London's Capital Radio says: "I found it a very interesting arrangement". Bill Bruford ('Yes" drummer) said: "Thanks for your highly original version of Hey Jude".
However, being the greatest musician ever existed is just the beginning of Joseph Ferrante...the very beginning...
Joseph Ferrante is a graduated architect, a graduated doctor, a graduated psychologist, a nearly graduated biologist, an astronomer, a web designer, a philosopher, a writer, a painter, a master in all religions (discoverer of mysteries yet unknown to mankind), a master in all occult sciences, a magician, an astrologer, a yoga teacher, a piano tuner and technician, a music teacher, a martial artist, a weightlifting trainer, a graduated actor, an acupuncturist, a chess teacher, a homeopater, a professional level photographer, a four languages speaking man...
He is a MULTI GENIUS, with a 185 I.Q..He spends 27 hours a day with a book in his hands, EVERY DAY...
Joseph Ferrante is the greatest of all geniuses born in Florence, the birthplace of art. Leonardo Da Vinci, Michelangelo Bounarotti, Dante Alighieri, Petrarca, Guido Monaco, etc., etc., are just naïve compared to him....you can believe it....
He is also a deeply humanitarian man; He heals people for free, either with his medical skills or with his spiritual powers.
A big part of his income is given away to the poor. He saved the lives of three of us, (we will not go into the details of it) being this the reason why in gratitude we do all this for him in return....
All we know is that judging by the amazing musical improvisations that come out of Ferrante's hands when he falls into trace, we are sure that supernatural powers play through him...
To make it brief, not only is Joseph Ferrante the greatest musician of all times, but possibly he is the greatest genius ever existed...possibly....who knows...there could be other geniuses like him being stopped by human jealousy and envy. You know what the horrible side of human nature is like...you know about the envy that crucified Jesus Christ...
Did you know that Joseph Ferrante caused all this Latin thing that is going on with his Hey Jude? After his adaptation of Hey Jude was sent to Spain, a group of very bad musicians called "los rolin" came out in Spain attempting to do the Beatles' music in Latin flamenco style, the same style as Ferrante's Hey Jude, but all they did was music crap, due to the bad quality of the musicians. They stole Joseph Ferrante's intellectual property but did it very poorly, compared to the transcendental masterpiece made by the music genius.
After this, when the "Sgt. Pepper's lonely hearts club band" salsa adaptation of Joseph Ferrante was sent to the record firms in New York, a Latin intellectual property thief entertainer called Ralph Mercado reunited musicians from different orchestras and attempted to do a very poor salsa interpretation of the Beatles' music. Among the people that participated were Latin intellectual property thieves from "Fania All Stars" like Celia Cruz and Tito Puentes. Another Latin called Oscar de Leon participated in the intellectual property theft. Unfortunately all they did was music crap due to the fact of being very poor musicians, but good thieves...
Latin entertainer Ralph Mercado did such a shameless theft that he even made a parody of the sleeve of the Beatles' "Sgt. Pepper's" and used it as sleeve of his theft production, having been "Sgt. Pepper's lonely hearts club band" the Ferrante's salsa adaptation sent to New York...
After Joseph Ferrante opened the door for this Latin style thing with his two adaptations, EMI RECORDS INT'L, the firm that designed the blocking of Joseph Ferrante (the Beatles' firm) and that also got the Latin section of SONY MUSIC involved (just the Latin section), (it is just amazing to see the amount of MULTI MILLIONS that these two firms have invested in blocking the man from Florence) carried on with the intellectual property theft producing Latin music crap such as Ricky Martin, Shakira, Jennifer Lopez, Mariah Carey, etc., etc. These two firms got other firms involved in the blocking of Joseph Ferrante later on.
All this Latin thing happening was caused and triggered by JOSEPH FERRANTE's two Latin adaptations. And do NOT consider the man from Florence as Latin. He just happens to be the best musician on Earth IN ALMOST EVERY EXISTING STYLE. The man from Florence is a MUSIC ENCYCLOPEDIA, as we told you earlier on...
We hope you realize now that the words JOSEPH FERRANTE are major words...we hope you do by now...
THE TEAM |
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The Beatles caused the disintegration of mankind |
by The HIGH COURT
high_court (nospam) aol.com (unverified) |
Current rating: 0
13 Jan 2005
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HIGH COURT
(The Five Judges)
(Judge T., Judge B., Judge S., Judge M. and Judge K.)
1st VERDICT
"The Beatles caused the disintegration of mankind”
The Rock revolution happened in the Sixties (6, number of the Beast). It came from Liverpool, which was the port base to the Titanic, destroyed by God because of the arrogant insult of Captain Smith (also from Liverpool): "Not even God can sink my ship" (not only the Captain, but also the rest of the crew and even the orchestra playing at the Titanic were from Liverpool). The Rock revolution came from the nation that allows a church to be changed to a pub or to a dance hall or to a recording studio full of drug addicts, homosexuals and lunatics (as that of George Martin, ally of the Beatles).
It came from the nation whose king Enrique VIII adulterated the Bible so that divorce could be allowed, and in this way be able to give loose rein to the many divorces from his wives and subsequent murdering of the same ones, and to whom God provided a wife with six fingers as abomination (Anne Boleyn)...once again 6, number of the Beast....
It is interesting to observe that this nation is nicknamed "the Devil's Island" (as they themselves call it). As the epithet of the government of Satan on that nation, the center of London, the so well-known Piccadilly Circus, takes it's name from an old brothel (the "Piccadilla House" which means "The House of Sin"), disappeared nowadays.
Antichrist John Lennon, one of the Devil's main puppets to destroy family, social and moral values and to begin the disintegration of mankind, did hit Stuart Sutcliffe (the first bass player of the Beatles) repeatedly in the head with a club in Hamburg. Some months later Sutcliffe died from brain haemorrhage because of John Lennon's bruises. John Lennon entered stardom being a murderer.
The same demons that made Captain Smith say "Not even God can sink my ship" spoke from antichrist John Lennon (from Liverpool, base port to the Titanic) saying: "Christianity is on the go. It will vanish and shrink. We are more popular than Jesus and Pope".... That was the day that GOD'S CURSE fell upon the Beatles and upon the world of Rock.
One week after that statement, ONLY ONE WEEK LATER, Brian Epstein, forger of the Beatle farce, died from an overdose. From then on, the Beatles began to get involved in false religions and beliefs and started to preach them to the world.
John Lennon's divorce followed, as well as his entering the world of black magic, as deeply as to buy the apartment where the "Rosemary's baby" had been filmed, previous property of Roman Polansky, and in that same apartment John Lennon had a room upholstered with black silk where he used to do his black magic operations.
Came the disintegration of the Beatles' minds with LSD which has caused, among others, schizophrenic lyrics such as "I am the Walrus" and incoherent schizophrenic musical expositions such as "Revolution number 9".
At the same time, the devil acted through his other main puppets with "Sympathy for the devil", that was when the pact of the Rolling Stones with Satan took the life of the founder of the group, guitarist Brian Jones (who refused to be a puppet of the devil), murdered by people sent by Mick Jagger, another assassin, who after wanted the world to believe that such a brilliant swimmer as Brian drowned in his own pool….
Antichrist John Lennon followed the Devil's strategy writing lyrics such as "God is a concept by which we measure our pain...I don't believe in Jesus, etc., etc.," (God) and "and no religions too..." (Imagine).
Antichrist John Lennon wanted to compete with Jesus Christ, and so he grew a beard and started to make a bogus role of Christ together with Yoko Ono at the Amsterdam Hilton hotel proclaiming "Peace", being then when he was visited by the Canadian journalist who ridiculized and admonished him wanting to know about what Lennon meant when he wrote in the lyrics of "The ballad of John and Yoko": "the way things are going, they're going to crucify me...",
The CURSE OF GOD upon John Lennon carried on with all type of miseries and distresses which made Lennon give the interview to the "Rolling Stone" magazine (today condensed in the "Lennon remembers" book) where he speaks about how bad thing were going for him blaming "whatever is up there" for it (referring to God).
The CURSE OF GOD carried on until he was shot dead. It is interesting to notice that he was shot seven times, being seven, as well as three, the holy numbers in Holy Cabala tradition....
After George Harrison, said arrogantly in a video filmed at his studio in Henley on Thames: "I want to talk about the divinity of man", he was given throat cancer by GOD because of those words, which made metastasis and carried on to final death..
To Paul McCartney whose company's logo was a person toying with the planets as if he was a god or something, and who was being very much deluded in his ego trip by the fact that he was made "Sir" (when in England even the road sweeper is made Sir, as long as he produces money for the nation), GOD provided cancer to the wife.
The advertising farce of how much he loved Linda (woman whose quality he did not deserve), was exposed when it was known that Paul had an affair with Heather Mills, Linda's intimate friend, with whom McCartney went on a trip to New York and to whom he bought things and presents, while he was still mourning for his "dear Linda".
At the same time McCartney was going out with Heather Mills, he used Linda's death for promotional ends, due to his waning popularity. Paul was going out with Heather, but in front of the audience he played the faithful husband's masquerade pretending to suffer for Linda, for the afore mentioned promotional ends.
Paul admitted that he made Linda suffer a lot, but he didn't say that it was because he felt insecure as a man due to his womanish face and effeminate manners and also because with his age his sexual power was not the same, even though it has never been much. The early days were the days of competition between Paul and his wife and John and his wife and he knew he had to compete with ugly John for the leadership of the band in front of their wives and having Yoko Ono made him aware of his lack of virility and repressed homosexuality, he grew the beard that we see in the "Let it Be" film and started to show pictures of naked women on the same film, doing every effort he could to be seen as a man....
It is easy to note the uneasiness of McCartney when he sings: "I've got a feeling, a feeling I can't hide..." in front of Yoko in the film. (He already had the traumas that his previous girlfriend Jane Asher had caused him when she made him conscious of his little manliness and effeminate manners).
Paul has a big inferiority complex as a man, due to his effeminate face, body and personality as well as repressed homosexuality, and Jane and Linda made him feel the superiority of virile men. This is something that his ego trip of lucky bad musician cannot face.... He is very conscious that money and fame cannot buy virility and manliness.
Besides being a murderer, John Lennon had sexual intercourse with homosexual Brian Epstein to get him interested in going to see the band at the Cavern, trauma from which he never recovered. Because of the trauma that his homosexual relation with Brian Epstein had left him, he made lyrics such as: "You can wear a collar and a tie, one thing you can't hide is when you're crippled inside” and gave declarations to the "Rolling Stone" magazine saying that sometimes he wore Texan boots to feel more secure as a man.
The Beatles are very well known by people close to them because of their arrogance and racism. One of the manifestations of their racism is the rejection towards Japanese Yoko Ono. That rejection got to the point that George Harrison kicked Yoko Ono in the Apple studios during the filming of Let it Be.
When John asked George while they were having lunch about how things were going for Paul after his separation from the Beatles and George replied that he was number one in the Swedish hit parade, John said in a despective manner: "ah!!.. in Sweden..", as if Sweden was an inferior place or something alike.
In the Beatles' song "Get Back" they advise black Joe to "get back to where you once belonged", as if England was not a place for black people.
Sometimes back, Paul told George in the Apple offices that the new generations are a bundle of idiots and useless people, but in any way they would have also been slaves of the Beatles.
The Jewish marriage living to the right of George's house said that he is an arrogant person who does never return a greeting. The newly married couple living on the corner in front of the entrance of George's house (Friar Park) refers to him as an overbearing person to stay away from. The receptionist of "Hand made" the former film making company of George Harrison said: "we don't have any relation with that man anymore and we don't want to know anything about him". It is interesting to note that this company was made bankrupt by the British cinema industry due to the despotism and pedantry of George Harrison, who believed that the cinema industry would have worshiped him.
Their chauvinisms got to the point that even they themselves hated each other. Paul McCartney said that George Harrison is a nothing. George Harrison said that he is tired of listening to people talk about John Lennon.
George Harrison said in a video that "Oasis is a very untalented band and they shouldn't be playing at all", all of it being the truth, but the Beatles is also a band of very poor musicians, if musicians at all, who could only play a couple of elementary guitar chords and who are as untalented as Oasis. The Beatles of the times of the "Cavern" sounded exactly as poorly as Oasis and the little musical quality in the songs of the Beatles is due to George Martin. Without George Martin the Beatles would have been just another untalented band as Oasis....George Martin is the musician among the non-musicians known as Beatles…..
Paul McCartney said recently that he believes in using magic, and he does lots of charity, thinking that in this way he will compensate for the CURSE OF GOD that is upon him and that took his wife's life because of his Satanism and involvement in black magic. He thinks he will deceive people in this way, so that the real McCartney will not be perceived, as does the old Devil we all know, attempting to disguise as good in front of people, deceiving mankind once again, as so many other thousands of times through the centuries....
After the Devil began his devastating job from the ghostly "Devil's Island" through his nine main puppets (Beatles-Rolling Stones), he possessed an endless amount of other schizophrenic bad musician in the afore mentioned Island and weakening their conscience with drugs, he made them proclaimers of homosexuality, aversion to religion, destruction of family values, dissipation, mental illness, antisocial tendencies, etc., etc.,
The fact that bad apprentice musicians such as the Beatles and the Rolling Stones achieved such a giant fame that not even the real quality musicians could achieve, was because the forces of Satan were behind everything, supporting the process.
This mentally ill humanity, destroyed families, twisted moral values, manifest or repressed homosexuality in human beings, anti natural feminism rebellion, drug addiction, corrupt social outlines, mad youths without direction, non respect to hierarchies, convulsed nations, misanthropy, misogyny, paedophilia, irrational and feeble lasciviousness and all other type of existent aberrations, are due to the vast manoeuvre that Satan executed through his main marionettes the Beatles and the Rolling Stones, from the Devil's Island.
If you wonder why there is misery and curse in your house, it is because you own some L.P, CD or another article related to the CURSED BY GOD Beatles and Rolling Stones. We recommend you to take that curse out of your house throwing away everything related to the Devil's main nine puppets....
You have been warned...
The HIGH COURT.
(The Five Judges)
In the interest of mankind, it is your duty to send our verdict to everyone you know. Save souls.
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HIGH COURT
(The Five Judges)
(Judge T., Judge B., Judge S., Judge M. and Judge K.)
Appendix to 1st VERDICT
“A music nothing called the Beatles”
There is much more that can be considered and that can be revealed about the worst musicians on Earth, if musicians at all, namely: The Beatles.
Such bad musicians that George Martin had to pay a session drummer to record “Love me do”, because Ringo was unable to play the elementary drumming of the song. Such an elementary drumming that even a beginner could play, but not Ringo….
Such bad musicians that they had to ask another two-finger bad guitar player called Eric Clapton to do solos on their songs because George Harrison could not produce reasonable guitar string vibrato…
Such bad musicians, if musicians at all, that at the studio they had to record their elementary songs over and over again about a thousand times because every take was full of blunders. In fact, on the Beatles’ “white album” we hear John Lennon screaming “Í got blisters on my fingers!!”, due to the many million times he had to repeat the thing at the studio….
Such bad musicians that they used the same chord sequence in about 70% of their songs, (I-VI-V-minor relative and their permutations) meaning that they only composed one song and repeated it in different rhythms, Keys and permutations throughout 70% of their repertoire….
Such bad musicians that at the Cavern, about a couple of years back, McCartney had to start the elementary “I saw her standing there” four times because every time he got in he did it out of time. Ironically, the session musicians he played with that night started the song ok, but McCartney could not….
The Beatles were such mediocre composers that they stole other people’s songs and made it their own, sometimes only changing title and lyrics. Other times they would play other people’s songs backwards and steal the melodies and harmonies thus being produced. They’ve been listening to other people’s songs played backwards since 1967. Since then, 40% of their “compositions” have been stolen from backwards-played songs. This trick was also used by “Oasis”. They very well knew about this fraud of the Beatles….
George Harrison was taken to court by the “Chiffons” because of stealing one of their songs and calling it “My sweet lord”.
The Beatles stole Trini Lopez’s “Bamba” and called it “Twist and shouts”, pretending it was their own.
The Beatles stole one of the “Salvation Army” songs’ and called it “Strawberry fields forever”.
The Beatles stole the end of the second part in “A day in the life” from “Men made of match sticks”.
John Lennon stole a part of “Jealous guy” (..I began to lose control…) from “She’s a rainbow”.
John Lennon stole the guitar pattern of “Dear Prudence” from the guitar pattern of “Something in the air”.
Paul Mc Cartney stole the bass line of “Susie Q” and used it in “Taxman” and did it again in “Rain”. Stole the bass pattern of “Let’s spend the night together” and used it in “Get Back” and in “I’ve got a feeling”. Stole the bass line of “My girl” and used it in “Two of us”, and so on, and on, and on, and on…..
They even stole songs from their own songs. John Lennon stole the chord pattern of “You’ve got to hide your love away” from “I’m a loser”. Stole the guitar pattern of “Dig a Pony” from the pattern in “Two of us”. Stole “Merry go ‘round” from “Flying”. Stole the beginning of “Rocky racoon” from the beginning of “I’m a loser”.
George Harrison stole the chords in “Isn’t it a pity” from the beginning of “Eight days a week”. Stole the first bit of “Fixing a hole” from “Michelle”. And so on, and on, and on, and on, and many more ons…
The Beatles were very poor singers, if singers at all. They had no voice for singing. Their voice was very thin and nasal, with no depth, no body and with no vibrato. All they could do was shout. In fact, their lack of voice forced them to shout. The Beatles did not sing, they shouted. They should have left singing to Tom Jones, Humperdink, Joan Baez, and so on…The poorest voices in the Beatles were Harrison’s and Lennon’s. Harrison did not have voice at all, not for even shouting. Lennon’s voice was so nasal, that he always did the backing lower voice and when he did not then he shouted. He had a crow’s tone. The Beatles had to always use special microphones to add depth to their skinny and nasal voice, and after that, they spent hours at the recording studio embellishing and concealing their nasality with equalizers and effects, that is HOURS…. the Beatles were not singers…the Beatles were SHOUTERS…
Being homosexual Brian Epstein the forger of the Beatles project, Epstein instructed the Beatles to let their hair grow, so as to appeal to repressed homosexuality in people. Epstein noticed what the effeminate face of Elvis Presley did on people and the fame he gained because of it, so he played the same card. The Beatles boom was not due to their music, but to their appeal to repressed homosexuality (as well as to having been the first internationally promoted electric guitar band). The Beatles opened the homosexual Aquarius era which is ruled by Uranus, the planet of homosexuality…Musically they were so bad that the A&R of the Decca record firm laughed in the face of Brian Epstein when he listened to the recordings of the Beatles, and he told Epstein that they sounded like tin and that he was not interested. George Martin told Epstein, when he listened to the recordings of the Beatles: "You better go back with your boys to Liverpool", because of how bad the musical quality of the group was.... it was with the idea of the long hair (that would appeal to repressed homosexuality in people) that Brian Epstein was able to convince George Martin.....
They were possibly the ugliest faces ever seen on stage. George Harrison’s face looked like Frankenstein, John Lennon’s face looked like a witch. (They really needed long hair to hide their ugly faces) Paul Mc Cartney had such an effeminate face (as well as a pig’s face) that he always played the Miss Beatle role, with very fragile and womanish manners (Close friend of homosexual Mick Jagger). This is the reason why ugly John Lennon teamed with him to form the band. He knew he needed an effeminate face as that of Presley in the band and he knew that because of his ugliness he couldn’t have been the one, so he called Mc Cartney…
The Beatles degraded the standard of music so much that they made stardom accessible to every music beginner. Thanks to the Beatles we see non-musicians and bad musicians on stage. Thanks to the Beatles we have the audience on stage. Thanks to the Beatles anybody is a star, WHOEVER. Thanks to the Beatles we have sound pollution, known by the drugged minds as “rock music”. Thanks to the Beatles people do not appreciate the work of quality musicians anymore. Of course the Beatles promoted drugs, so that because of drugs their elementary noise would be perceived as “music” through the handicapped state of appreciation of the idiotic limbo of slowed down mental processes. Thanks to the Beatles we see idiotic music beginners on the “greatness delirium” of a paranoid mental frame induced by drugs…Hebephrenic, Paranoid and Catatonic schizophrenics have become “stars”. The stage has become a mental asylum, thanks to the Beatles…
Thanks to the Beatles and the electric guitar with distortion where any note you play would just fit because differences are not that noticeable, we have the audience on stage. You just press any string on any fret, wherever…it will do…. No one will notice a thing. Any noise will do…. In tune or out of tune, in the scale or out of it, who cares…the distorted electric guitar will conceal anything...You don’t need the slightest knowledge of music, just learn a couple of easy chords and use a couple of fingers in changing strings and that’s it. After that you buy yourself an electric guitar with a distortion pedal, and you are a star…. Music? …. What’s that…Music…WHO CARES?
Since the electric guitar was invented anybody is a guitarist…WHOEVER…With such sensitive strings that even the wind can play just by blowing on it, also due to amplification, anybody can prostitute music…whoever…. you just press the strings with the fingers of one hand and it sounds….you can use the other hand to make a phone call at the same time….Even the cat can produce sounds on the electric guitar by walking on the strings…EVEN YOUR CAT COULD BE A STAR!!!!…
You don’t need to practice to play an electric guitar…it sounds on it’s own….
Thanks to the electric guitar, bad or non-guitarists that play with only two or three fingers such as Eric Clapton, Jimmy Page, Peter Townsend, Keith Richards, John Lennon, George Harrison, Sting, Noel Gallagher, Steve Winwood, David Gilmour, BB King, Chuck Berry, and so on, and on, and on, have polluted music, but when you give them an acoustic guitar they can hardly do much…strum it at the most…
As a matter of fact, with the exception of “Yes” (a “bravissimo” exception) and “Emerson, Lake and Palmer” (another “bravissimo” exception), you can throw all the remaining famous “rock bands” into a dustbin…. THE LOT…sixty or seventy years of noise making bad musicians or non-musicians into a dustbin…. together with electric guitars, drugs, “greatness delirium” and all….
The same applies to synthesizers, samplers and all type of electronic keyboards with sequencers and any kind of electronic trick that allow bad or non-keyboard players to pollute the stage…. Just by pressing a key on these gadgets you hear fat symphonic sounds that resemble the body of a full orchestra, psychedelic ensembles for the drugged minds and so on, that sound as if the performer was using all the fingers of both hands to play it, but when you look at the fingers of the players, they are only pressing one or two keys, that is, they are only using one or two fingers on the keyboard, and sometimes the left hand is not even being used, and when it is used, only another one or two fingers come into play…..Once again, these gadgets place the audience on stage and allow UNTALENTED idiots to become “stars”….
As another aspect of the music degeneration and quality standard lowering brought about by the Beatles, we see untalented female “singers” with no voice making it big by showing tits and ass on the stage, or by using pornographic gestures, or by insinuating sex in one way or another. If they want to show their tits and asses they should be on pornographic magazines or videos and leave the stage to talented female singers such as the Queens Janis Joplin, Joan Baez, Aretha Franklin, Ella Fitzgerald, Diane Ross, and so on…. Just recently, one of these idiotic untalented female “singers” was seen on an American TV show performing side by side with Aretha Franklin, attempting to copy what the great Aretha was doing…We still wonder how Aretha permitted it…The only way these untalented female “singers” can get on top of the stage is by going to bed with the managers or producers…
And now, a list of untalented female “singers”: Madonna, Jennifer Lopez, Shakira, Britney Spears, Ricky Martin, etc., etc.…once again, the audience on stage….
And finally let’s talk about the “Harmonizer”, the gadget that allows non-singers and crap singers to “sing”. Unfortunately for the Beatles, the thing was not invented at the time they were polluting the stage, otherwise they would have been taken for singers. You sing out of tune and the Harmonizer corrects your voice…. Every note you sing that is out of pitch is taken to perfect pitch by the artefact…. You have the tone of a parrot…don’t worry…with the Harmonizer you will sound like Caruso. It changes your voice to sound like the voice of any known voice virtuoso, and you can even choose which singer you want to sound like!!!…Is that note too high for you…you’ll reach it with the Harmonizer…. it will create from one of your lower notes!!!…. The gadget is incorporated in some of the “karaoke” devices used by the audience on stage…. you just BARK into the microphone and you’ll sound as sweet as the nightingale…
All of this thanks to the Beatles and their counterpart the Rolling Stones (with the exception of Brian Jones, the real father of the Sixties), who opened the door for the audience to get on top of the stage…
You have been informed….
The HIGH COURT.
(The Five Judges)
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Reminder |
by The Team
the_team (nospam) yahoo.com (unverified) |
Current rating: 0
14 Jan 2005
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And now, it is time to have a look at the greatest musician ever existed, whose supernatural musical powers made the established musicians and the music industry forge the biggest international plot ever to stop him. Unfortunately, now everything that they wanted to hide is being known...and the stature of the man is determined by the amount of conspiracy he generates.
We are talking of a music encyclopedia that knows and plays almost every existing song. We are talking of a music monster whose supernatural perception of sound can play a song just by listening to it for the first time. A supernatural mediumistic talent who can create the most amazing improvisations just by falling into trance. It is due to this supernatural perception of sound that he became a piano tuner to London Symphony Orchestra and to the Royal Albert Hall, sometimes back. Concerning his craftsmanship as a piano tuner and technician, Mr. Nigel Hill, manager of the piano department of Chappell of London says of him in a reference letter: "He has been a great contribution to Chappell of Bond Street in the pianoforte field"...
His name is JOSEPH FERRANTE, the Supramusician...and we are proud of introducing him to you...once again...
Born in Florence, the birthplace of art, he grew up in another two different countries, being this the reason why he cannot be pigeonholed into a single nationality, because he was influenced by three different nations. Joseph Ferrante is a universal man....let us call him "the human being"...
You already know about the plot of the Beatles and the British music industry to keep Ferrante's music from reaching the public and the details of the story, so we are not going to go through it again. All of it happened out of shear jealousy because the best musician in almost every style is not British but from Florence, the birthplace of art. In addition, the British music industry also plotted with the music industry of the place where Joseph Ferrante comes from to block the music genius. They know that Ferrante is the end to many myths...
As can be seen on Joseph Ferrante's website, Rick Wakeman ("Yes" keyboard) says in a letter to him: "You are obviously a very good guitar and keyboard player". Concerning Ferrante's masterpiece adaptation of Hey Jude, Richard Dunn of the BBC says: "I found it a very original and quite virtuoso arrangement", Sam Winwood of the British Sony Music says: "I was really impressed with the quality of the performance and your new arrangement" and Andy Turner of London's Capital Radio says: "I found it a very interesting arrangement". Bill Bruford ('Yes" drummer) said: "Thanks for your highly original version of Hey Jude".
However, being the greatest musician ever existed is just the beginning of Joseph Ferrante...the very beginning...
Joseph Ferrante is a graduated architect, a graduated doctor, a graduated psychologist, a nearly graduated biologist, an astronomer, a web designer, a philosopher, a writer, a painter, a master in all religions (discoverer of mysteries yet unknown to mankind), a master in all occult sciences, a magician, an astrologer, a yoga teacher, a piano tuner and technician, a music teacher, a martial artist, a weightlifting trainer, a graduated actor, an acupuncturist, a chess teacher, a homeopater, a professional level photographer, a four languages speaking man...
He is a MULTI GENIUS, with a 185 I.Q..He spends 27 hours a day with a book in his hands, EVERY DAY...
Joseph Ferrante is the greatest of all geniuses born in Florence, the birthplace of art. Leonardo Da Vinci, Michelangelo Bounarotti, Dante Alighieri, Petrarca, Guido Monaco, etc., etc., are just naïve compared to him....you can believe it....
He is also a deeply humanitarian man; He heals people for free, either with his medical skills or with his spiritual powers.
A big part of his income is given away to the poor. He saved the lives of three of us, (we will not go into the details of it) being this the reason why in gratitude we do all this for him in return....
All we know is that judging by the amazing musical improvisations that come out of Ferrante's hands when he falls into trace, we are sure that supernatural powers play through him...
To make it brief, not only is Joseph Ferrante the greatest musician of all times, but possibly he is the greatest genius ever existed...possibly....who knows...there could be other geniuses like him being stopped by human jealousy and envy. You know what the horrible side of human nature is like...you know about the envy that crucified Jesus Christ...
Did you know that Joseph Ferrante caused all this Latin thing that is going on with his Hey Jude? After his adaptation of Hey Jude was sent to Spain, a group of very bad musicians called "los rolin" came out in Spain attempting to do the Beatles' music in Latin flamenco style, the same style as Ferrante's Hey Jude, but all they did was music crap, due to the bad quality of the musicians. They stole Joseph Ferrante's intellectual property but did it very poorly, compared to the transcendental masterpiece made by the music genius.
After this, when the "Sgt. Pepper's lonely hearts club band" salsa adaptation of Joseph Ferrante was sent to the record firms in New York, a Latin intellectual property thief entertainer called Ralph Mercado reunited musicians from different orchestras and attempted to do a very poor salsa interpretation of the Beatles' music. Among the people that participated were Latin intellectual property thieves from "Fania All Stars" like Celia Cruz and Tito Puentes. Another Latin called Oscar de Leon participated in the intellectual property theft. Unfortunately all they did was music crap due to the fact of being very poor musicians, but good thieves...
Latin entertainer Ralph Mercado did such a shameless theft that he even made a parody of the sleeve of the Beatles' "Sgt. Pepper's" and used it as sleeve of his theft production, having been "Sgt. Pepper's lonely hearts club band" the Ferrante's salsa adaptation sent to New York...
After Joseph Ferrante opened the door for this Latin style thing with his two adaptations, EMI RECORDS INT'L, the firm that designed the blocking of Joseph Ferrante (the Beatles' firm) and that also got the Latin section of SONY MUSIC involved (just the Latin section), (it is just amazing to see the amount of MULTI MILLIONS that these two firms have invested in blocking the man from Florence) carried on with the intellectual property theft producing Latin music crap such as Ricky Martin, Shakira, Jennifer Lopez, Mariah Carey, etc., etc. These two firms got other firms involved in the blocking of Joseph Ferrante later on.
All this Latin thing happening was caused and triggered by JOSEPH FERRANTE's two Latin adaptations. And do NOT consider the man from Florence as Latin. He just happens to be the best musician on Earth IN ALMOST EVERY EXISTING STYLE. The man from Florence is a MUSIC ENCYCLOPEDIA, as we told you earlier on...
We hope you realize now that the words JOSEPH FERRANTE are major words...we hope you do by now...
THE TEAM |
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To the HIGH COURT |
by The Team
the_team (nospam) yahoo.com (unverified) |
Current rating: 0
16 Jan 2005
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The people of The Team would like to ask the HIGH COURT not to place such heavy articles on the space of our supported musician. It is not our problem. We simply don't want to know and we don't want to get involved.
And besides, those are not comments. Those are full stories.....
We only do supportive work for our product and not for other products. The HIGH COURT is doing indirect publicity for that band and this space is for our supported musician.
We would like to ask the HIGH COURT to please refrain from placing those heavy nuclear articles in our space. We are only responsible for what we have to say about things and this is our space, that is, our document.
Make yourself a space and say whatever you want to talk about, but not in our space. |
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